Ousmane Sow was born in Dakar in 1935. By 1957, as the end of the Colonial Period approached, his dream was to be part of the intellectual, artistic and economic freedom in Paris. Economics were not easy, and he had to abandon his studies at the Ecole des Beaux Arts, and obtained a diploma in physiotherapy.
For 20 years in Paris, he sculpted puppets and an alien world of his imagination, in fragile media that have since disintegrated. Not until he was 54, did he make sculpture his full-time profession. He returned to Senegal. His first, the "Nuba Series" (1984) of 12 larger-than-life figures, catapulted him to artistic fame in France.
It has been said that be begins his work with the framework of Giacometti and finishes like Rodin. On the rebar skeleton, his scuptures are solid, currently on a base of plastic and jute, and the musculature is laid on gradually with a mixture of jute and clay. The surface texture is by design, to catch the light, and to keep viewers from identifying themselves with the sulptures.
He places his giant figures in tableaux, to make a statement about indigenous peoples around the world.
For 20 years in Paris, he sculpted puppets and an alien world of his imagination, in fragile media that have since disintegrated. Not until he was 54, did he make sculpture his full-time profession. He returned to Senegal. His first, the "Nuba Series" (1984) of 12 larger-than-life figures, catapulted him to artistic fame in France.
It has been said that be begins his work with the framework of Giacometti and finishes like Rodin. On the rebar skeleton, his scuptures are solid, currently on a base of plastic and jute, and the musculature is laid on gradually with a mixture of jute and clay. The surface texture is by design, to catch the light, and to keep viewers from identifying themselves with the sulptures.
He places his giant figures in tableaux, to make a statement about indigenous peoples around the world.








